> Spare the details on the javelin, just make sure that its long and sharp.
> Once we finish the javelin, unsummon our Sword of Hisou and wield the javelin in one hand and the keystone sword in the other.
>The Keystone Javelin is fully complete. A bit crude by your standards, but it will do its job. It fits suprisingly well in your hand despite its slapdash nature.
>Your Sword of Hisou was always unsummoned, so you raise your Keystone Javelin in your dominant hand and the Keystone Short Sword in your off-hand. You really need to name these things if you might use them more often.
> Is Youmu using a type of stance or special technique to cleave through solid stone!? Determine if her sword always follows a particular pattern or 'path' to cut through the pillars based on the shrapnel and remnants of the destroyed keystones. // What's the moves hitbox, if this was a fighting game?
> Does it look like she'd lose her balance if the pillar were to suddenly disappear before impact (and thus provide no resistance)? // Does that move have a long recovery if it misses?
>You look over at the destroyed Pillars of Divine Punishment, analysing their form.
>From the looks of the debris, it seems to be a short-ranged slash rather than any sort of danmaku. The fact that the Danmaku stopped when she decided to start destroying them is also a sign that this is true. The pieces also imply that does much more than one or two swings
>You at first think that she must have used a great amount of force. Then you remember that the things that cannot be cut by Roukanken are next to none. "Next to none" being your body, your flawless Celestial body is so tough that the blade can't dig into you without some major force applied. Your Keystones are not as lucky.
>It appears to be a
Narrow, short-ranged attack. With almost no recovery period. However, it seems like she focuses on slashing to make sure the Keystone is destroyed, leaving her open from angles the attack doesn't cover.
> Reshape the pillars to appear like columns from a grand ancient temple, worthy and befitting of a duel against a Celestial. Everyone knows we love over-the-top theatrics, and in what appeared like a pointless change of scenery we've subtly modified the top part of the pillars to be wide enough to stand (and hide) on. Make sure to start from a pillar other than the one we're standing behind as to not give any hints to our location!
>Alright then, time for your speciality!
>You've made changes like this before, it's very fun and great for creating structures fit for the Eldest Daughter of the Nai Clan.
>The trick is to create an image of what the end product should look like, then quickly chisel everything in a flash. Slow chiseling over time only happens when you try to create things you've never thought of or imagined before.
>With that said, pieces of all of the Pillars falls off as if divinity ordered them to change form (which is exactly what happened in your book), and become columns that could hold up the house of the divine (you
do use this trick for your house when you feel like it).
>"Is this really the time for grand theatrics? Youmu is trying to slice Tenshi into bits!">"Hmm, I do not think this is just theatrics." Well, Yuyuko's observant.
>Youmu, for her part, immediately dashes away from the Pillars and eyes them with suspicion. Maybe she's trying to figure out where you are and what you're doing?
>_?  Tenshi Hinanawi
| Body:
Wrist: |
VS
| Body:
Wrist: |  Youmu Konpaku
|
#One thing I will say: Thank you very much, Tom, for the health bars! I've basically just stolen the BBCode you used for the example post.
